Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures

Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures
Martin Kaelin Signed Mid Century Modern Acrylic-Abstracted City Street/Figures


$299.0 Buy It Now or Best Offer
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Seller Store alsace376
(238) 100.0%,

Location: Philadelphia, Pennsylvania
Ships to: US,
Item: 324634765501

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:14 Days
Refund will be given as:Money Back
Size:Medium (up to 36in.)
Region of Origin:US
Production Technique:Acrylic Painting
Framing:Unframed
Country/Region of Manufacture:United States
Style:Modern,Abstract
Material:Acrylic,Paper
Type:Painting
Features:Signed,One of a Kind (OOAK)
Subject:Figures,Architecture
Color:Multi-Color
Date of Creation:1950-1969
Listed By:Dealer or Reseller
Signed:Yes
Width (Inches):23
Year of Production:1960
Original/Licensed Reproduction:Original
Height (Inches):17
Painting Surface:Paper
Unit of Sale:Single-Piece Work

Please read description and look at photos carefully. Be sure to refer to our terms and conditions and ask any and all questions before making a purchase. INTERNATIONAL CUSTOMERS: PLEASE READ IMPORTANT INFORMATION BELOW BEFORE PURCHASING. Thank you! Original acrylic/mixed media painting on paper by Martin Kaelin (Philadelphia, Pennsylvania, b.1926). He was educated at the Philadelphia College of Art and the Fleisher Art Memorial. With classic mid-century modern aesthetic, this painting shows multi-color abstracted figures bypassing one another on a crowded industrial city street with surreal elements. Signed in the lower right corner. Signed and dated 1960 on the back. Painting measures 17x 23 inches. Unframed.From a private fine art collection in the Main Line/Philadelphia suburbs. Condition appears overall very good: some handling creases, minor age tone and light adhesive stains on back. Unframed. Painting will be shipped rolled in a tube. This painting will make a fine addition to any art collection! Please read description and look at photos carefully. Be sure to refer to our terms and conditions and ask any and all questions before making a purchase. INTERNATIONAL CUSTOMERS: PLEASE READ IMPORTANT INFORMATION BELOW BEFORE PURCHASING. Thank you! About Martin Kaelin:Martin Frederick Kaelin was born in Philadelphia January 29, 1926, the son of electrician Martin Kaelin and Marie Paul. After the artist was named Martin, his father changed his own name to Joseph to avoid confusion. Kaelin’s boyhood schooling was at a Catholic institution in Philadelphia. While the boy doodled with a pencil during a 3rd grade class, Sister Pionina smacked him with a ruler, scaring the third finger on his writing hand (the right) for life, but it made little difference to the lad. He had to draw and continued to do so, regardless of scorn or criticism. By the he was a teenager, he yearned to be a cartoonist because he liked to draw people doing fun-filled activities and he saw the humor in the human condition. Kaelin received his art education at the Fleisher Art Memorial in 1943 (in the old Graphic Sketch Club building in Philadelphia) and the Philadelphia College of Art (now the University of the Arts) from 1953-1957. During those years, he was highly influenced by the loose spontaneous brushwork of Vincent Van Gogh, Maurice Utrillo, Oscar Kokoshka and Gustav Klimpt and admired the canvases of Edgar Degas, Pierre Bonnard and the social realism of the Ash Can School. One of his mentors was Ben Eisenstadt (painter, illustrator and cartoonist), who told Kaelin, “I like your work because it reminds me of me!” Other teachers included Martin Jacob Jackson (figure painter), Carl Sherman (representational illustrator) and Oliver Nuse, Karl Sherman, Benton Spruance and Gertrude Shell. In the 1950s, Kaelin became a member of Artist Equity, but he generally did not join clubs. Since childhood, Kaelin has been inspired by performance art. His love for music and theater is apparent in his work. He paints carnival, stage, minstrel, street and beach activities from Coney Island to New Orleans in a confident, playful manner. When he was 18, he met Ash Can painter-illustrator Reginald Marsh, who invited him to his studio to “draw, if you want.” Kaelin was impressed with Marsh’s friendly, open personality and by his candid, often raw depictions of the beach and burlesque. At that time, Marsh taught two days a week in Philadelphia. In many ways, Kaelin followed in Marsh’s footsteps, painting the American scene in all its funkiness and gaiety, while he shared what he knew by teaching others how to paint at the Philadelphia College of Art (1956-1977), Fleisher Art School (1957-1977) and the Haddonfield Art Department, NJ (1962-1987). “I love to teach,” Kaelin admits. “It keeps a person young.” In 1946, Kaelin first went to New Orleans and was enchanted and mesmerized by colorful, jovial street carnivals clamoring with voodoo, musicians, dancers, ladies-of-the-night, and curious onlookers along Bourbon or Orleans Street. He gravitated to the circus, to jazz concerts and to back street scenes where the seamy and the prosperous mingle. The haunting aspects of Halloween intrigue Kaelin and he did a series of entertaining Halloween paintings during the 1960s that depict witches, broomsticks, devilish shies filled with animated moons and black cats that seem to embody how a child feels during a “Trick or Treat” adventure. Kaelin says art “is an attitude of life. The joys, abrasions, thoughts and sensations passing through the sieve of the intellect become raw material of expression, the emotion of response. Art is a personal, private thing to be cherished, [one can’t be] concerned with acceptance or approval. Embracing the stylish or a depersonalized expression is to deny the very existence of art….While the banner of originality is exalted…the artist of integrity finds himself standing alone with his shadow….” He admits, “My work is concerned with an anonymous society of crowds, a loneliness at times, perhaps a sense of being lost…It is joyous reality or fantasy.” When asked why he became an artist, he says casually, “Why do birds sing?” Kaelin met fellow art student Judith Siriani at the Fleisher Art Memorial and the two wed on November 17, 1962. They have one son, an artist also named Martin. Kaelin’s work always has declared through moving textural avenues of paint a sense of musical rhythms. As a blues and jazz devotee, he incorporated music’s throbbing pulsations, rhythms, sounds and angular tones into painted expressions. As he “melted” walls in paint, every aspect of his work began to vibrate and he soon became an expressionist. His beach scenes also throb with rhythmic movement, action and humorous antidotes. Kaelin exhibited at the Philadelphia Museum of Art, PAFA, Civic Center Museum, University of PA, Louisiana State Museum, Philadelphia Art Alliance, Glassboro State College (NJ), Rutgers University (NJ), the Duncan Art Gallery and Marbella Gallery (both of NYC) and has had successful one-man exhibitions at the Philadelphia Art Alliance, Rutgers University, Marbella Gallery (NYC 1990), University of PA, Fleisher Art Memorial and more. **Terms and conditions** We can only accept credit card payments online and cannot accept checks or wire transfers, etc. Any sold items with a value of over $200 will require a signature confirmation upon delivery. **PLEASE BE SURE TO CHECK YOUR TRACKING INFORMATION FOR UPDATES TO ENSURE, YOU, THE BUYER, ARE AVAILABLE FOR DELIVERY** If an item needs to be sent back to the return address for absence at delivery, you will be sent an invoice for re-delivery charges. *INTERNATIONAL BUYERS* YOU NEED TO PROVIDE A PHONE NUMBER THAT IS BEST TO REACH YOU FOR YOUR CUSTOMS LABEL UPON MAKING A PURCHASE. PLEASE STAY UP TO DATE WITH THE TRACKING INFORMATION PROVIDED (For local tracking, please plug your tracking number into the ParcelsApp website). Items may be subject to additional import charges, local taxes, or duties depending on where you live, the size of the package, its contents, or the value. PLEASE BE PREPARED AND STAY UP TO DATE WITH THE TRACKING INFO FOR THIS REASON, and please understand that we, the sellers, have absolutely no control over these charges. Failure to pay additional local charges will result in your item being returned to the United States. Items will be sent via USPS Priority Mail International. If there is an unexpected delay for package delivery please contact your local postal carrier. Neither we the sellers nor the US Postal Service have any control over international delivery delays. We will strive to package all sold items as safely and quickly as possible with tracking information. Once the items leave our hands and go with the postage carriers, we are not responsible for any unexpected delays in shipping including but not limited to inclement weather, staff shortages, etc. Please plan accordingly. We accept returns for a refund within 14 days of the item(s) delivery only if an item is grossly misrepresented. Items must be returned in their original condition. We will not reimburse the return shipping. Any refund will be for the original price paid, minus insurance and shipping. If we feel that the policy is being abused we reserve the right to refuse any exchange, credit or refund. Refunds will be processed electronically. INTERNATIONAL BUYERS: We will not refund any duties, customs, shipping, port charges, taxes or any additional charges that you might have paid to your authorities. We only refund the cost of the item purchased. **We are not liable for any damages to the items caused by the customer or mishandling of the postal carrier.** Although we are confident in the accuracy of the items we have posted to our store to the best of our knowledge, abilities and resources, we are not in a position to authenticate or appraise any items in our store or otherwise. This includes providing certificates of authenticity. Customer satisfaction with their purchases is extremely important to us. We have a large inventory; While we do take the greatest possible care within our ability and knowledge to mention any condition issues, if you happen to notice a defect not originally mentioned in the listing, please understand there are occasional and unintentional oversights. If you have any additional questions please don’t hesitate to contact us. Thank you!

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