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Item: 315824324898
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Size:22 x 33 in
Region of Origin:USSR
Handmade:No
Artist:LISOGORSKIY NAUM MOISEEVICH (1910-1986)
Framing:Unframed
Country/Region of Manufacture:Russian Federation
Custom Bundle:No
Style:Vintage,Socrealism,Socialist Realism,Art Deco,Russian
Material:Paper
Theme:Film,Advertising,Animation,Art,Conflicts & Wars,History,Movies,Social History
Personalize:No
Type:Poster
Title:KARUSEL
Features:1st Edition,Limited Edition
Subject:Film,Art,Movies,History
Certificate of Authenticity (COA):No
Culture:USSR
Signed:No
Original/Licensed Reprint:Original
Year of Production:1977
Unit of Sale:Single Piece
Original film title (on the poster): КАРУСЕЛЬ Released title for English speaking countries:KARUSEL POSTER ARTIST: LISOGORSKIY NAUM MOISEEVICH DIRECTED BY: MIKHAIL SHVEJTSER GENRE: COMEDY POSTER LANGUAGE: RUSSIAN PRINT YEAR: 1977 PRINT RUN: 57.000 POSTER COUNTRY: USSR FILM COUNTRY: USSR PUBLISHED BY: “REKLAMFILM”, MOSCOW SIZE: IN: 22 x 33½ = CM: 55.5 x 85 PRODUCED BY: MOSFILM STUDIO CONDITION: USED TO BE FOLDED FILMPLOTSTARSIMDBARTISTFILMPLOTSTARRINGIMDBARTISTUp for auction is original Soviet movie poster for the film: “KARUSEL” (Trans. “THE ROUNDABOUT”) – is a 1970 television comedy by Mikhail Schweitzer. The film was shot at the Mosfilm film studio based on the early stories and notebooks of Anton Pavlovich Chekhov: “Razmaznya” (1883), “Grateful” (1883), “Cynic” (1885), “On the dangers of tobacco” ( 1886), “Tosca” (1886), “Novel with a double bass” (1886), “Polenka” (1887) – and consists of seven related short stories. A film version of the film was produced in 1976 [source unspecified 166 days]. In 1977, Mikhail Schweitzer made another film based on the stories of A.P. Chekhov – “Funny People!” Other characters acted in it, but the style was similar, and therefore some will combine both of these films into a dilogy Novella “Grateful”. Novella “Cynic”. Novella “A novel with a double bass” (country extravaganza in 5 parts). The short story “On the dangers of tobacco.” Novella “Polenka”. Novella “Tosca”. Novella “Smudge”. ☆ Vladimir Basov ☆ Natalya Vorobyova ☆ Evgeniy Leonov www.imdb.com/title/tt0065934/ LISOGORSKIY NAUM MOISEEVICH (1910-1986) Famous Soviet cartoonist, poster artist In 1929, Krokodil first printed a drawing by Naum Moiseevich Lisogorsky, which the artist considers his birthday as a cartoonist. This is not entirely true, because already in 1927 he began his work in the Ukrainian press, and after moving to Moscow he regularly collaborated in Vechernyaya Moskva and Trud. Lisogorsky graduated from art school in Odessa as a painter, but changed his brush to a satirical pen. He belongs to a cohort of publicists who immediately capture the original thought born of the teletype tape information. A call from the editorial office – and the artist is at his desk, and after two or three hours the drawing is sent to the zinc-printing plant to appear on the newspaper page in the morning. The muse of satire inspired our cartoonists even during the terrible war years. N. Lisogorsky was all the time at the front, working first in the newspaper of the 7th Guards Army “For the Motherland”, and later in the newspaper of the 2nd Ukrainian Front “Suvorov Onslaught”. On its pages, the artist organized a satirical section “Merry Katyusha”, which won great popularity among the soldiers. “Merry Katyusha” has waited for happy days! Together with the troops of the front, she went on a swift offensive. Lisogorsky had to work at a pace that even the most experienced newspaperman could not dream of. As soon as he had time to hand over the sketches of the capture of Yass, it was already necessary to sketch out the portraits of the fighters who distinguished themselves in the battles for Chisinau. And then – the liberation of Romania, Hungary, Yugoslavia, Czechoslovakia … On the front pages of the front newspaper, he placed portraits of heroes – soldiers and officers, and on the fourth page his evil caricatures of the Nazis flaunted. For about half a century, Lisogorsky has been working at Krokodil. Hundreds of his drawings are printed on the pages of the magazine. He is an experienced international relations expert who knows a lot about Chamberlains and Adenauers, but at the same time he successfully fights against everything that slows down the forward movement of our country, targeting the enemies of the new life. He is never satisfied with the external scheme of the caricature, but always strives to most convincingly reveal the very essence of the characters depicted, to penetrate their psychology. Here he is helped by the work on friendly cartoons, which he loves very much. The artist never limited himself to emphasizing the purely external features of the face and figure, but each time he searches for seemingly inconspicuous features that help to reveal the essence of the human appearance. Characteristic is his caricature, depicting the leaders of the military-industrial complex. How much predatory cynicism is written on the face of a well-groomed businessman, sharing his innermost thoughts with a high-ranking military officer: “I am very worried about the tense situation in the Middle East – no matter how weakened …” His drawing “South Rhodesian attraction” (“Crocodile” , 1971). The artist depicted an English lion dutifully jumping through a ring of handcuffs held by the racist Smith. I remember the satirical ending to Lisogorsky’s album, elegant in design and very significant in content. On the spire of the famous Admiralty needle, the enemies who encroached on the Russian stronghold on the Neva – the Swedish king Karl, Yudenich, the demoniac Hitler – were impaled. Curious is his “Crocodile’s Rational Proposal”. Through the entire large reception room of director Grubiyanov, a corridor with a safety net is drawn, as in a circus at the time of the release of tigers, along which the chief walks importantly into his office, shaking his fists and swearing. Employees scatter in panic in different directions … On International Women’s Day on March 8, men feast at the table, and the heroes of the occasion, knocking off their feet, bring new treats to the table. The only responsibility that fell on the shoulders of men was raising toasts: “To the health of our dear women!” Lisogorsky is a sincere and conscientious artist. In his striving to make the caricature the most expressive and intelligible, he sometimes turns out to be too verbose, introducing a number of unnecessary mustache details and strokes. But on the other hand, there is always a sharp thought in his works, and he clearly prefers stinging drawings on a significant topic to cheerful trinkets. The entire war was spent at the front and the professional crocodile Naum Lisogorsky. As part of the editorial board of the Guards Army newspaper “For the Motherland”, he marched with units of the 64th Army from the Don to Stalingrad. In the liberated hero-city, he had a chance to make a curious sketch in the basement where General Paulus was captured. This is a portrait of the commissar of the 38th motorized rifle brigade L. Vinokur, under whose leadership the leader of the siege of the Volga stronghold was captured. In the same place, in Stalingrad, N. Lisogorsky made a commemorative drawing “They are wandering from Berlin to Siberia.” Skinned, miserable, German prisoners, former gallant participants in the failed Hitlerite blitzkrieg, trudge under escort. Lisogorsky also took part in the successful offensive of our troops in the area of the surrounded, but never surrendered Tula. The artist drew a witty picture – an original tank with the famous Tula samovar in place of a tank tower, crushing fascist soldiers and poses. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Film title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. !!! COLLECTION SALE !!! YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company “Intourist”. Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie’s auction. Yalta Hotel – is still working nowadays under the same name. ……………………………………………….. ARTIST: unknown DATE: 1983 EDITION: 5000 PUBLISHER: “Intourist” LANGUAGE: English SIZE: in: 16×26 – cm: 40×60 CONDITION: Rolled Listing and template services provided by inkFrog
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